Phoenix lisztomania youtube




















Right in the center of Paris we could feel the tension. That may explain the lightness on Ti Amo , which has a buoyancy to its songs. It was very black and white with these two records, in terms of the feel and everything. Ti Amo has a purposeful sense of fantasy—or, at least, as purposeful as a band like Phoenix, who claim to channel something far more unconscious in their process, can make it. When we started making the album, I felt like I was bored with myself personally.

I was bored with my voice. I was bored with my ideas. I had to create some sort of fanaticized version of myself with music. The latter, with its Mediterranean beats and dulcet melody, has a real romantic sensibility to it. It has a strange mix of English and Italian, but with a French brain. At this point—six albums in and with nearly two decades behind them—the members of Phoenix still force themselves outside the box. They took so much time on Ti Amo because they wanted to get it right.

They wanted to ensure that anything that could become a strong song had time to develop and that they had enough space on each track to reflect on it with some perspective. They know it feels lighter and that making it felt like a healing process for them.

It takes that playing for people and the record being out to realize it. At the time of this interview, in late April, the musicians are itching to get back on the road. Not a fan of AOC at all, but it is just a video of some young people dancing and having fun! Kind of silly to make fun of that!!

Your email address will not be published. Boston University More Publications. The Brink. October 12, Amy Laskowski. Twitter Facebook. Post a comment.

Cancel reply Your email address will not be published. The Morning Herald has more:. Under its previous policy, Liberation allowed a single employee — without proper legal knowledge or even viewing the video in question — to rely on the automated system to threaten a lawsuit.

In future Liberation will not issue takedown requests without human review, according to the Electronic Frontier Foundation, which represented Professor Lessig in the case. Liberation Music managing director Warren Costello agreed the use of the song in the video qualified as fair use under US law and fair dealing under Australian law.

He said he regretted that the takedown notice was issued. Morning View Turns Drukqs Turns



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